In some cases that’s fine, but it does seem counter-intuitive, not least because you will soon find that this Radial Filter is much more than a vignette tool. The new Radial Filter apparently began as a movable vignette tool, so the first time you use it you’ll find that the adjustment affects the image area outside the circle that you’ve drawn.
If you uncheck it, the radial adjustment acts more like a vignette, The small Invert Mask check box lets you target the radial adjustment. I’ve exaggerated the graduated adjustment here, but now you can simultaneously adjust multiple images with graduated and radial filters or paint with the local adjustment brush. At last, local adjustments are applied in AutoSync mode! Brilliant! It’s something I actually discovered by accident, but apparently it is a deliberate change by Adobe. That annoying limitation has disappeared with Lightroom 5. Apart from interrupting my mental flow, it was 5 or 6 keystrokes where a single one would have done the job. So in Lr4 I might add a graduated filter adjustment and it wouldn’t apply to the other selected images, so I’d be forced to go back and sync. Unfortunately, AutoSync always had an annoying limitation – it didn’t include local adjustments. So I recommend leaving AutoSync on all the time, and keeping an eye on the film strip. They may not be working as quickly or consistently, but you don’t want to confuse yourself by continually switching between AutoSync and normal modes, and you can easily make annoying mistakes if you’re not concentrating 100%. I recommend leaving AutoSync on, but other people leave it switched off and go into it when needed. Incidentally, you should leave Lightroom set to AutoSync all the time or leave it switched off all the time – one way or the other. I’ll only disable AutoSync occasionally, for example when I decide I want an adjustment to apply to a single image, but more often in such cases I’d just deselect the other images while I make that specific adjustment. That means I have to press the Sync button, review the settings dialog and clear any adjustments I don’t want to sync, choose which ones I do want to sync, and click OK.īecause AutoSync means simultaneous adjustment, it’s the fastest way to work in Lightroom, so I leave Develop set to that mode all the time.
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When it is enabled you continue working on one image in Develop, but your adjustments automatically apply to all the pictures that are selected in the film strip.ĪutoSync is wonderfulwith any series of frames where you want to make the same adjustments to each shot. To explain, especially for those who have never used it, I’ve always been a huge advocate of Lightroom’s AutoSync.
So we get to number 5, and I think this qualifies as a “you read it here first”! AutoSync now works properly with local adjustments! Wouldn’t it be great if you could subscribe and tick a box asking not to be included in the count of the willing? But prepare yourself for Adobe trumpeting this somewhat-hollow success…. The cynic in me, or just the former corporate accountant, believes you don’t publish numbers you won’t meet, so you just have to wonder what the real target is. With the only option being this Hobson’s choice, I wouldn’t be at all surprised if in 6 months’ time they Adobe hit or exceed their published target of 1.25 million subscribers at the year end. Going forward, new customers and upgraders are no longer offered any choice – you either subscribe, or you don’t upgrade. They’ve probably made a rational decision too. So those 700,000 have voluntarily chosen the subscription route over buying a traditional licence. There’s probably just one nugget of information worth polishing and keeping in your pocket – they have now reached 700,000 subscribers to their Creative Cloud. In fact their stock price never really interested me until recently, so I can readily understand if you have never gone looking for their quarterly results, but do take a look at Adobe Reports Strong Q2 FY2013 Financial Results and the more-digestible powerpoint slides. Look, I spent all those years in accounting, so you’ll have to humour me when I point you in the direction of more financial numbers from Adobe.
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